Tag Archives: Mojave Street

Jess D

Jess Dominguez

Update: Jess passed away March 29, 2023. The following was put together in 2014:

No, Jess didn’t die. Unfortunately that is how most of my fellow alumni make it to these pages. Maybe this will be a new trend for me, creating posts about living people.

I’ve been wanting to write something about Jess for a long time, ever since he sent me the short book he put together about living on Mojave Street. I put it off and then almost forgot but then yesterday Linda Monroe reminded me about what a great story Jess would make. I guess that is the problem. I’m not sure I can do his story justice. I’m going to do my best and come back and revise it when the mood strikes me.

Jess graduated from Trona High School in 1959. His accomplishments make me feel very humble about my own life.

The information attached to the video above and the video say it better than I ever could:

An instructor of life modeling and 3-D design at SDSU for more than 25 years, Jess Dominguez’s work can be seen all over campus.

The War Memorial at Aztec Green, the statue of President Black near the Old Quad and a relief at the Lipinsky Tower are all his creations. He is volunteering his time and talent for the Coryell bust project.

“I want to keep doing things for the university as long as I can contribute,” he said, “and this one is very special.”

Last year, Dominguez sculpted a bust of football coach Don Coryell. (http://universe.sdsu.edu/sdsu_newscen…)

Dominguez said sculpture is intended to be more representational than literal. It should capture a subject’s essence more than a literal likeness that, for example, a figure in a wax museum might represent.

“It’s not supposed to look like a death mask, it’s supposed to look like a sculpture with tool marks and imperfections,” he said.

Before Dominguez casts a final version of a sculpture he tries to have family members or someone close to the subject approve the work.

Jess Dominguez  Jess has come a long way from that house that was on the other side of the tracks on Mojave Street where his family once lived. When I talked to Jess he reminded me of the salted jelly candy that my dad would bring home from work. I didn’t know it but Jess told me that AP&CC would give the candy to the workers. He said that some of the men in the plant would throw their candy over the fence to the kids that were playing on Mojave Street. If I had known that I might have gotten to know Jess much sooner. I loved that salty candy.

Actually I was forbidden by my mother to visit Mojave Street. At that time racism still had a strong hold on the minds of many Americans, including my mother. It wasn’t so much racism as a lack of understanding.

Jess’s book about Trona tells about how his father would find remnants of grain in boxcars that they would sweep up and use as feed for their chickens and how his mother would pass food through a hole in the plant fence so her husband could have a warm lunch at work. Or maybe that was from when we talked?

He also gives credit to his art teacher Lois Pratt for encouraging him to continue with his art. Jess is making a bronze plaque now for the Centennial which will incorporate high points in Trona, like Austin Hall and Valley Wells.

I didn’t know Jess very well. The Dominguez that I knew and that I looked up to at the time was Jess’s older brother, Ernesto. Ernesto was one of my brother’s best friends and since I always looked up to my older brother he and and all his friends were heros in my eyes.

I reserve the right to come back and revise this as I feel the need and I can truly say I’m sorry for postponing writing this for so long.

For more about Jess read:

Professor Emeritus Creates Bronze Bust of Legendary Coach

The Other Side of the Tracks

Sometimes I think I remember everything. Maybe I do but even if I do I don’t always remember things the way they really were. What I do remember was the Mexican village in back of the railway yards. It was almost hidden away and almost as if it were on Trona Railway property. Maybe it was built to house railroad workers families but the effect, deliberate or not was a segregated Mexican American ghetto. My brother, Joel had friends there. The one I remember the best was Ernesto Dominguez. Ernesto was nicknamed “Head”.

As I remember that little village there wasn’t more than six houses and it seemed like there wasn’t a real street, just a lot that all the houses faced. Joel would go there and play baseball in the lot with his friends. I would follow him there to watch. What a pain I must have been. The problem was that Joel would always get in trouble when I followed him. My mother didn’t think it was a place that I should be and any time I was anywhere with Joel around I became his resposibility. No one ever likes a little brother tagging along anyway, especially one that could report bad behavior.

Eventually the Trona Railway moved all the houses. I’d like to think it was because it was just plan wrong to have them there.

The following is a quote from Laura Quezada’s research on the 1941 Strike:

“Discrimination was a key issue for many Mexicans employed at AP&CC. Mexicans were only allowed to do the lowest form of physical labor in the Shipping Department. Mexicans were paid five cents an hour less than the men with whom they worked. They worked 12 hour shifts with only 15 minutes for lunch. There was no chance for advancement. Mexicans could only live in one isolated area of town and there were “No Mexicans Allowed” signs posted in some Trona establishments.

A fundraising pamphlet distributed by the Union states: ‘Another AP&CC tactic has been that of discriminating against Mexican workers. They are kept at the lowest pay rates, do the most menial tasks, are not eligible for advancement, and must occupy quarters that are only seen in substandard slums. Until recently they have been refused privileges afforded other workers, such as the use of the Trona Club to dance, skate, bowl or play billiards. Against this form of Jim Crowism the Union has fought unceasingly. The Mexicans have responded by 100% Union membership.'”

If you remember the other side of the tracks better than I do I’d like to hear your story about it.

I have recently been told by Jess Dominguez that the name of the street was Mojave Street. He told me that there were sixteen houses and three bunkhouses deliberately put in a location where the Mexicans would be segregated from us white folks. When I hear that now it makes me want to cry. Actually it makes me cry. I can only remember being on Mojave Street a few times. That is why I don’t remember it well. That and 50 plus years. I know we were told that it was a place we were not supposed to go.

The way I look at it maybe I could have learned about Mexican food that much sooner and it wouldn’t have been limited to the fifteen cent Tacos from the Taco Tia in Barstow or the tamale pie recipe my mother found on the back the Kraft American cheese package. Actually I still like canned tamales like the ones we used to buy in the Trona grocery store. I think they were Van Camp brand. I sound so white.

My brother Joel told me that he can still name each of the sixteen families that lived on Mojave Street. He also told me about a dog named Rags that he got from Ernesto. He said that when he got it it didn’t understand English. The concept is hard for me to wrap my head around but I know that what he said is true. We had a family friend that had a ranch in Idaho. His sheep dog came from a Basque sheepherder. It was very good at controlling sheep and cattle but it only understood commands in Spanish.

I don’t remember Rags at all but right now I have this picture in my head of Joel calling his dog, Rags, and being ignored.